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Re: Cultural Knacks?John Pastore (venture@CANCUN.RCE.COM.MX)Wed, 3 Apr 1996 03:57:54 +0000
Well, I guess I just can't help myself, but, having lived in New York City, Atlanta, New Orleans and Cancun, Mx. (in that order), I have been rather fortunate to observe many cultures over the years. Experience asserts that the ability to wink seems to have no cultural bases, though, as was pointed out by a collegue, winking seems more to be a "male thing", though I would think that while that remains true, in non-Latin cultures, male winking is probably on the wane. I would say directly proportionate to the rising incidence of high heels being attached to male temples -that is when there are high heels. Lipstick tubes, umbrella handles and chipped finger nails seem to be a phenomena which directly relate. Contrary to the winking phenmona, their are physical motor traits, or special abilities that do seem to have a cultural base. Polish people in N.Y.C., for example, showed a particuarly pronounced ability for ear wiggling. Jewish peolpe, despite being popularly noted for being able to use their heads, never seemed to be able to stand on them. Greeks were notorious for being able to force belches. Italians actually practiced tapping their inflated cheeks so studiously to eventually be able to play whole operas. And that was just New York. While finger snapping, seemed a universally equal trait, the ability was taken to new heights by Apalachian whites of Scotch-Irish decent who were particularly adept at snapping their fingers not so much from the wrist, but so much more from the shoulder to actually pop their elbows at the same time that they even called it " finger popping" which is what it was -sound wise. They even square danced to it. An historically isolated community of Afro-Americans living on the Sea Islands of Georgia were absolutley statling for the numbers of people who could walk on the knuckles of their feet. While whistling is well known everywhere, it was the "Y'ats" of New Orleans' Ninth Ward whose knack for the art was so fluid while drinking beer that it became a new artform -something akin to playing glasses with varying amount of water in them while rubbing a damp finger on their rims. And, they weren't just whistling Dixie, they had a repetoire that must have been the product of generations. Throughout all my travels the ability to coss one's eyes at one's will always seemed most universal among oriental populations. In Mexico, there is an ability to not exhale with such ease after downing so many jalapeno peppers that the acutal practice of practicing it has been going on for so long to have assuredly passed into racial conciousness. In all my travels, what definetly was not a trait partial to any single culture, though, was the ability to laugh -even at oneselves.We all need a good one every now and then. Have fun... John Pastore Writer in El Mayab ... "The supreme good in education is expert discernment in all things- the power to tell the good from the bad, the genuine from the counterfeit, and to prefer the good and the genuine to the bad and the counterfeit." -Samuel Johnson
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